All Jean-Louis-Ernest Meissonier Oil Paintings

French Academic Painter, 1815-1891,French painter, sculptor and illustrator. Although he was briefly a student of Jules Potier (1796-1865) and Leon Cogniet, Meissonier was mainly self-taught and gained experience by designing wood-engravings for book illustrations. These included Leon Curmer's celebrated edition of J.-H. Bernardin de Saint-Pierre's Paul et Virginie (Paris, 1838), the series Les Franeais peints par eux-memes (Paris, 1840-42) and Louis de Chevigne's Les Contes remois (Paris, 1858).
 

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Jean-Louis-Ernest Meissonier The End of the Game oil on canvas


The End of the Game
The End of the Game
Painting ID::  59887
  The End of the Game of Cards, ca. 1870
  The End of the Game of Cards, ca. 1870

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Jean-Louis-Ernest Meissonier The Philosopher oil on canvas


The Philosopher
The Philosopher
Painting ID::  59888
  The Philosopher, 1878.
  The Philosopher, 1878.

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Jean-Louis-Ernest Meissonier The Card Players, oil on canvas


The Card Players,
The Card Players,
Painting ID::  59889
  The Card Players, 1872.
  The Card Players, 1872.

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Jean-Louis-Ernest Meissonier Leland Stanford, oil on canvas


Leland Stanford,
Leland Stanford,
Painting ID::  59890
  Leland Stanford, 1881.
  Leland Stanford, 1881.

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Jean-Louis-Ernest Meissonier The End of the Game of Card oil on canvas


The End of the Game of Card
The End of the Game of Card
Painting ID::  74130
  "The End of the Game of Card" by Jean-Louis-Ernest Meissonier, oil painting cjr
  "The End of the Game of Card" by Jean-Louis-Ernest Meissonier, oil painting cjr

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     Jean-Louis-Ernest Meissonier
     French Academic Painter, 1815-1891,French painter, sculptor and illustrator. Although he was briefly a student of Jules Potier (1796-1865) and Leon Cogniet, Meissonier was mainly self-taught and gained experience by designing wood-engravings for book illustrations. These included Leon Curmer's celebrated edition of J.-H. Bernardin de Saint-Pierre's Paul et Virginie (Paris, 1838), the series Les Franeais peints par eux-memes (Paris, 1840-42) and Louis de Chevigne's Les Contes remois (Paris, 1858).

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